Martin Spinelli
Radio
Background
- Virginia Tech BA in English and Media Studies
- had radio station on campus
- was curious about National Public Radio Stations (like the BBC in England but not as culturally recognised)
- decentralised in its structure
- low funding
- loose federation of around 900 stations
- the schedules were different at each station
- they built in small cut aways - they will then place local segments within these
- have a lot of flexibility built into them
- a lot more opportunities to get your work heard
- if one station doesn't want your show another one might
- they now take shows from abroad too
- a downside is that they have to look after themselves financially
- the BBC is more ambitious in many ways
First experience in a professional station
- there are always obstacles - especially with institutions
- do not stop at the first no you receive
- first full aired stories he covered were local political races
- the more you make yourself available, the more opportunities you get
Developing a practical strand and a theoretical strand of his career in Buffalo
- researching relevant historical media moments
- tried to find other moments of technological change
- specialization in a certain field helps open more opportunities
- he started pitching news stories to national programmes
- Pacifica Network News
- Monitor Radio
- taking something you have access to and trying to apply it to a national angle
First experience developing programmes
- The Lannon Foundation Writers at Work Series
- The Linebreak - making use of the key speakers coming into the uni
- funded by various sources at the university
- 30 programmes with best-selling and innovative novelists screenwriters and poets
- won case Gold Medal 1997
- he put all his money into studio time and satellite upload time
Marshal McLuhan
- impressionistic
- his examples are dated
- he was however extremely useful to Martin's work
- whenever you have a new media technology it seems to mirror the one it replaces
e.g. a monastic manuscript and the Gutenberg Bible
Developing Radio Radio
- demonstrate the possibilities for a digital vernacular for radio speech - he wanted it to be engaging
- wanted the collection of content to be used for teaching
- critical thinking about analogue editing
- he edited out all of the non dialogue and the ambience then cut down the meaning of the interview
- he carves out direct speech
Roland Barthes
- processed and mediated speech
- writing degree zero - to describe what is unique in other forms of writing
- reground the voice as a part of the body
- Martin had been trained to cut out coughs and pauses, etc. He decided to play around with this notion.
Radio, Radio
- voice bumpers (controlled disruptions) used as framing devices - not the music but found speech to frame and contextualise the program
- being self concious and self evident about the characteristics of the production technology
- deploying digital jolts sparingly and cautiously
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